Lershy

Act IV, Scene III: (The end of the previous scene. The camera is zoomed in on the tip of the blade as it goes through the chest plate and flesh of Flames. The sword then goes through the heart and connects with the blue orb embedded in its center, making a loud clinking sound. The camera then zooms out five miles away, as a gigantic fiery explosion erupts, swallowing up the three dragons. The impact of the explosion instantly causes all the surrounding buildings within the five miles to collapse to the ground, glass falling and shattering from the structures as they do so, followed by faint screaming of the humans that are inside them. All the bright lights from the buildings that illuminate up the night sky in the visible city flicker and cut off, unoccupied vehicles begin bouncing off the ground, sent crashing into the falling light posts and into the rubble piles of the buildings along each side of many, if not most of the streets. Sir Fire is shown, continuing to shelter King

Act IV, Scene II: (Daggett, Sassy, Squeaks and Janelle are shown outside, walking down the sidewalk and past the entrance of "The Fremont Hotel & Casino", also passing Female News Reporter who is standing in front of said doors with a cameraman filming her with a white news van parked on the curb just behind them. "A few minutes after the end of Act III, Scene IV" appears on the bottom center of the screen in white font, quickly disappearing. The four are looking about them as they walk, the streets are completely empty and dead silent, with unoccupied vehicles lined up on the curb.) Sassy: I have never seen this place this quiet in my entire life.. it's so eerie.. Janelle: It's like a ghost town. Squeaks: It's about as quiet and empty as Sassy on a Saturday night. (Janelle has a shocked expression on her face as she stares at Squeaks while Sassy yowls, shaking her head and growling loudly. Daggett is glancing about him as the group continues to walk, a determined, serious look on

Act IV, Scene I: (A portrait view of the tan brick road from the village of Monlaco is shown, lined with caves on both sides with the park in the middle of the left side. The time is somewhere just before sunrise, but the sky is bright red with specks of charcoal clouds. A large, jagged crack is beginning to develop down the road as the lights flicker on and off from the lamp posts, moving frantically from side to side just as the caves are doing, swaying as their foundations creak and begin crumbling away. Various dragons are shown running for cover, screaming and crying, as "After the end of Act III, Scene II" appears in white font at the bottom center of the screen, quickly fading out. It cuts to Lord Blackdragon and Lady Dragon Laire, helping a terrified and clearly shaken Dimple into her home, looking terrified themselves, particularly Laire who is on the verge of tears. It then cuts to Tianna and Pollux, who are hiding in the front seat of the Dodge Dart in the garage, looking

Act III, Scene IV: (A red brick one story building is shown next to a busy four lane street, with a large glass window and a lone entrance door built into it with a hanging sign on it that says "Closed" in big orange letters, the rest of it surrounded in black. Above the window and atop the building, is a long, rectangular white sign with a picture of a submarine sandwich with ham, tomatoes and lettuce with "Zander's Zamwiches" next to it in big red letters. It's a mostly clear morning, the sun shining brightly as traffic is going by the establishment at a constant rate. It's surrounded by other businesses, including gas stations, banks and occasional office buildings. "Somewhere in Texas" appears in big white font at the bottom center of the screen, with "About Five Minutes Earlier" in smaller white font appearing below that. Both quickly fade out as the camera zooms in and focuses on the window, showing a room with a black and white checkered floor and white walls, with pictures of

Act III, Scene III: (Opens back up to Sassy, walking through the front door of the mansion home, allowing the morning sun to pour in from outside and across the marble floor of the lobby for a moment before she quietly shuts it behind her. She is still dressed in her white and pink Victorian poofy dress with the dark gray shawl around her waist, the white owl mask over the top of her head but just in front of her large pink hair bow. "After the end of Act II, Scene III" appears in large white font at the bottom of the screen, with "about ten minutes before the event at Flames' Tower" fading in smaller text underneath that. They both quickly dissipate as she tip toes across the marble lobby floor that leads from the closed front door.) Janelle: *off screen* Sassy? Is that you? Sassy: Yes, I'm home! I didn't want to wake everybody else up. (Janelle walks into the lobby as the camera moves out a bit, making room for the two. Janelle tilts her head as an amused expression forms on her

Act III, Scene II: (A grayish blue cave with a single large window and front door is shown with the same clear night sky as before surrounding it. The fireworks from the previous scene are heard faintly in the background as they slowly fade out, giving in to the sounds of crickets, with "Elsewhere in the village.." appearing on the bottom center of the screen in a white, medieval cursive font, quickly fading out. An old glass lantern, brightly lit with a flame, is hanging to the right and just above the wooden door. A soft orange glow comes from the window as Lord Blackdragon, a large black dragon, is shown sitting on a brown two seat couch, in front of a lit fireplace, the source of the orange light, writing on a piece of paper that's placed on a tray that in turn is on his lap, with a brown feather quill pen. The sound of the quill scribbling against the paper increases as the volume of the chirping crickets decreases, the camera slowly zooming in closer on the window, transitioning

Act III, Scene I: (What appears to be a small dragon village with Flames' stone tower on a high mountain about two miles away. It is now nightfall under a mostly clear sky that's full of stars with hardly any wind. The village is lined with lit caves along a sand colored brick road, with street lights lining each side, pouring a yellow-orange glow from each. Some of the caves have what resembles a garage, about one-third of them are closed while the rest are open, a pale white light coming from each of them, most filled with ladders, cardboard boxes and other random stuff. A number of the open garages have various dragons standing in them.) (Dance music can be heard picking up, becoming louder as Starz, a green dragon with golden horns and tiny purple wings on his back, is dancing down the brick road and holding a boombox up on his left shoulder and close to his ear, with a group of dragons following behind him, all dancing. The dancers consist, in order, a gray dragon with a

Act II, Scene IV: (Boris, Wreath and Arthur are shown flying through a largely cloudy and overcast sky, it's just after sunrise. Bannister is flying just behind Boris on the far left. The dry, rocky brown terrain is sailing past them below and starting to form frost as the air grows colder.) Wreath: Did we finally lose them? (Arthur turns his head and looks back. The camera switches to behind them, showing nobody riding underneath the clouds. It returns to the four as Arthur nods.) Arthur: No sight of 'em, Wreath. Wreath: Good riddance! (They continue flying, the frost becoming more and more abundant below them as fog forms on their breath.) Boris: It's gettin' mighty nippy, Wreath! Wreath: Suck it up, Bor. We're just approachin' the Himani range, that's all. Arthur: So.. does that means we're 'bout in the clear? (Just as Wreath nods and is about to respond, he lets out an irritated groan.) Wreath: Ugh.. not that old fogie.. (Arthur appears offended as he looks to

Act II, Scene III: (A slowly scrolling aerial view of Las Vegas at night, all the casinos and hotels are brightly lit and full of flashing colors of all sorts of hues, with the freeway and neighborhood streets full of head and tail lights from the busy traffic going to and from through them. It then focuses on a two story light brown stucco-brick home, with a neatly organized front yard filled with rocks and two tall green ferns in tan stone holders that line along the sidewalk that leads to the painted black wooden front door. There's a garage to the right, the door of it shut with the driveway empty. It then shows Sassy, dressed in a white and pink Victorian poofy dress with a dark gray shawl around her waist, along with a white owl face mask over her eyes, white feathers poking up from its top and sides with gold and silver ribbons hanging from its ends and draped down both sides of her face. She knocks on the door and waits, a second later the door opening, with Solomon Rahu on the

Act II, Scene II: (Arthur, Boris, Wreath and Bannister are shown flying just below the clouds on an overcast night. Bannister, with the oven mitt still completely over his face, is behind the three and is being guided solely by a long string of brown rope that's tied to the end of Boris's tail. The relatively tiny wings on their backs are flapping furiously to keep them up as Wreath points out ahead.) Wreath: There it is, boys. Castle Lightning straight ahead. (The camera switches to Wreath's POV, showing what looks like a gray castle about 50 miles ahead. Tiny torches being held by dragons are shown bobbing up and down on the roof of it as the serpents pace to and from. It cuts back to the four, with Boris squinting his eyes while Bannister is flapping his wings even harder, getting his head just above the others in front of him as he cups a claw over where his eyes would be.) Boris: I reckoned it'd be bigger than that, Wreath. Arthur: You got that right, Bor. What are those little